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The Joe Louis v. Max Schmeling Fight
Joe Louis was one of the first athletes to become a hero to both black and white audiences in the United States. He held the world heavyweight title for longer than anyone—for 12 years. On June 19, 1936 in the Yankee Stadium (New York), he was defeated by German fighter Max Schmeling in the twelfth round. The loss devastated many Black Americans who had admired him, a seemingly invincible man who showed he could compete with the best white fighters.

By the time Schmeling and Louis met for a rematch in June 22 1938, Schmeling had come to symbolize Hitler’s dictatorship and the Nazi agenda while Lewis had come to symbolize American democracy to many Americans. The fight foreshadowed both World War II and the civil rights struggles to come.

It was later discovered that Schmeling had hidden two Jewish brothers, Henri and Werner Levin, in his hotel room during the violent Kristallnacht pogrom in Berlin. He later referred to this as "the duty of a man," and never discussed his deeds until the Levins publically credited him with their survival in 1989. He and Louis reconciled later in life, and Schmeling often loaned Louis money, even paying for the boxer's funeral in 1981.

Resources
Film: "The Fight" a PBS Documentary
http://www.pbs.org/wgbh/amex/fight/filmmore/index.html

The June 22, 1938 fight between American Joe Louis and German Max Schmeling was much more than a boxing match; it was an historic event freighted with symbolic significance, both a harbinger of the civil rights movement and a prelude to World War II.
Article: Deford, Frank and Anita Verschoth. “Almost a Hero.” 95.22 (13 December 2001): 64-76*
http://search.epnet.com/login.aspx?direct=true&db=aph&an=5570988

This article discusses Schmeling as both a propaganda icon and a man. Deford and Verschoth focus on Schmeling’s life following his loss to Louis, highlighting the indignities he suffered due to his rejection by the Nazi party.
*Available via AcademicSearch

Article: Wiesbort, Robert and Hedderich Norbert. "Max Schmeling." History Today 43.1 (1993): 36-43*

Righteous ring warrior? History has him down as the Nazi boxer blasted by the Brown Bomber, Joe Louis; but Robert Weisbord and Norbert Hedderich offer a different interpretation of Max Schmeling's life and motives.The article also discusses the ways that Schmeling (willingly or not) was used as an icon by Nazi propagandists. The author does a particularly nice job of highlighting the ambiguities surrounding Schmeling's positions on the Nazis and Hitler.

*Available online via Research Port.

Headlines: "Joe Louis Smashes Schmeling: Full Story of Amazing Two-Minute Fight"
The Evening Standard, London.
Tursday, June 23, 1938

http://www.boxinggyms.com/news/louis_schmeling1938/standard_cover.htm

JOE LOUIS is still heavy-weight champion of the world. He beat his challenger, Max Schmeling, in one murderous round, after one of the most amazing title fights in history, at the Yankee Stadium, New York, last night.

Multimedia: Ringside Radio "The Rematch"
http://www.pbs.org/wgbh/amex/fight/sfeature/sf_radio_pop_1938_intro.html

Over 70 million Americans listened to the second match between boxers Joe Louis and Max Schmeling -- the biggest radio audience to that date for a single program. NBC radio announcer Clem McCarthy delivered a blow-by-blow account, as he had two years prior, for the first Louis-Schmeling fight.

Book: Chris Mead. 1995. Champion Joe Louis: A Biography. London: Robson Books

Joe Louis (1914-1981), probably the greatest boxer of all time, was the Michael Jordan of sports when sports were affiliated more closely with American national identity than with the New York Stock Exchange. Although his celebrity status was largely the work of the media and of gangster managers, Louis received public attention unheralded for a black man at that time. His iconic shaping was defined by the only other black heavyweight champion before him, Jack Johnson. Louis was modest and compassionate where Johnson was ostentatious and prone to alcohol-induced violence (Johnson spent many years in exile after his 1913 conviction under the Mann Act for transporting a white woman across state lines for immoral purposes). After proving himself the best fighter in the world, Louis was conditionally allowed the status of celebrity and star symbol. Even so, the subtitle is somewhat deceiving in that Mead's research demonstrates that Louis faced the animosity of white writers and the general public throughout his career. Paradoxically, what propelled Louis to the status of American hero was nationalism: the fact that he beat Max Schmeling, the sporting world's symbol of Nazi Germany, in a second try on June 22, 1938. Given all the wanton carelessness of athletes, coaches and others in past seasons, this book is a timely look at the concept of fandom in America at a time when the stakes were much higher and contract prices much lower. (Publishers Weekly)

[Last updated on August 22, 2005 ]